- Andrievskaya I. — The First Concert for Cello and Orchestra by D. Shostakovich Questions of Interpretation
- Berlizova D. — Moscow Trio on the History of the Formation of the Performing Traditions of the Moscow Conservatory
- Barulina V.A. – Fundamentals of Cello Performance
- Bidzhakova N. — Main Trends in the Development of Chamber Genres for Cello and Piano in the First Half of the Twentieth Century
- Bidzhakova N. — Works of the First Half of the 20th Century
- Blashchuk S., Lavelina J. — Cello Concerto by Alexander Tchaikovsky as an Example of Inversion of the Variation Form
- Bocharnikova V. – On the Problem of Periodization of Quartets by D. Shostakovich
- Boykova V. — Advanced Techniques of Cello Playing in the Twentieth Century the Experience of Systematization
- Chenyu W. — Trio for Piano, Violin and Cello by M. Ravel as an Example of Individual Interpretation of the Genre
- Efimov I.V. — Jewelry and Ornamentation of Baroque Music
- Goncharenko S. — 24 Preludes for Cello Solo by M. Weinberg — Interpretation of the Cycle
- Goncharenko S. — On the Question of Double Finals in Beethoven’s Quartet №13
- Grishchenko E. — String Quartets A.C. Glazunov Formation of the Genre in the Work of the Composer
- Gudimov D. — Cello Schools of the 18th-21st Centuries Historical Review, Traditions and Modern Innovations
- Gudozhnikova O. — Creative Collaboration of Composers and Performers in Sonatas for Cello and Piano
- Gudozhnikova O. — Genre Synthesis in Sonatas for Cello and Piano by Soviet Composers
- Gudozhnikova O. — Programming in Sonatas for Cello and Piano by 20th Century Composers
- Ivanov A. — A Virtuoso Concert in the Repertoire of a Cellist
- Ivanov A. — Cello Concerts by Bernhard Romberg
- Ivanov A. — The First Concert for Cello and Orchestra K.Y. Davydova
- Khramov V. — Creativity Daniyal Shafran as a Phenomenon of Soviet Culture
- Kostenkova E.S. – The Initial Stage of Learning to Play the Cello
- Kozeva G. — Prokofiev. Ballad for Cello and Piano
- Lapkin A.D. – Freedom is an Absolute Value
- Lavchyan A. — Piano Quintet by D.D. Shostakovich — Performing Principles and Style
- Mambetova G. — A Holistic Analysis of the Epitaph for Cello and String Orchestra by Merzie Khalitova
- Naiko N. – D-Es-C-H Monogram and its Variants in String Quartets by D.D. Shostakovich
- Omarova S. — Performing analysis of the concert for cello and orchestra (G-Dur) by Antonio Vivaldi
- Ostrovskaya G. — Traditions and Innovation in the Implementation of the Genre of the Quartet in the Works of D.D. Shostakovich
- Ovchinnikova S. — M.L. Rostropovich as an Interpreter of Suites for Cello Solo by I.S. Bach
- Petukhova S. — Rostropovich, Myaskovsky, Prokofiev, Shostakovich: cello
- Rubtsova D. — String Quartet as a Genre and Style Phenomenon
- Sannikova N. — Interpretive Вominants of the Сello Ыolo Ыuite Пenre
- Sevastyanova L. — Quartets A.C. Glazunov is an Attempt at a Critical Review
- Sevastyanova L. – Metamorphoses of the Waltz`s Genre in Quartets by D.D. Shostakovich
- Sinitsyn E.A. — Suites by I.S. Bach for Cello Solo. Some Performance Issues. Transcriptions for Contrabass
- Sokolvyak N. — On Innovations in Domestic String Quartets of the Last Third of the XX — Early XXI Centuries.
- Sokolvyak N. – String Quartet in the Context of Russian Memorial Music
- Stepanova S. — Conditions and Methods of Teaching a Beginner Cellist
- Svobodova V. — Matrix Analysis of J.S. Bach (on the example of the prelude of suite №1 in G-Dur for cello solo)
- The Making of a Musician — Third Suite for Unaccompanied Cello by J.S. Bach
- The Recent Editions of the Bach Cello Suites by Dimitry Markevitch
- Yudin A. — Lessons by M. L. Rostropovich — Accompanist
- Yuming Chi — Introducing Students of Chinese Music and Pedagogical Universities to Russian Cello Music
